Samrup Rachna
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Samrup Rachna is a 60-piece calligraphy collection of Apni Boli, a fusion of Hindi and Urdu created by Pakistani artist Syed Mohammed Anwer.[1][2]
The name is derived from the Sanskrit words Samrup (समरूप), meaning "congruence" or "similar", and Rachna (रचना) meaning "creative work" or "design".[3] In linguistics, languages such as Hindustani that are written in two different scripts are called synchronic digraphia.[4]
The caligraphy combines Devanagari (northern Brahmic) and Nastaliq (Perso Arabic) scripts of Hindi-Urdu, which Anwer refers to as Apni Boli.
The work is pictographic, visually representing the meaning of each word. For example, the Hindustani word surahi (meaning "ewer" or "pitcher" in English) is written in Apni Boli calligraphy so that it forms the picture of an ewer.[5][6]
The artwork aims at highlighting the shared linguistic heritage of Hindi and Urdu, underlining their cultural and linguistic similarities.[7]
The 60-piece collection was published as a book titled "Samrup Rachna: Calligraphic Expression of Apni Boli" (Hindi–Urdu) at the Pakistan Mother Languages Literature Festival, held at the National Institute of Folk and Traditional Heritage in 2016.[8]
In July 2025, the Indian Ocean Rim Area Research Project at Osaka University, Japan, included "Samrup Rachna" in its art archives.[9]


Samrup Rachna Exhibitions
[edit]The inaugural exhibition of "Samrup Rachna-Art for Peace" was held in Islamabad from April 2–4, 2012. The artist, Syed Mohammed Anwer was interviewed by VOA. [5]

A session featuring Anwer was held at Kuch Khaas Center of Arts & Culture, Islamabad, on April 27, 2012.[10]

The book "Samrup Rachna: Calligraphic Expression of Apni Boli" was launched[11] on World Local Languages Day, 2016, at a Cultural Festival held at Lok Virsa, Islamabad. In an interview at the festival, Anwer outlined his journey and motivation in creating the artwork.[12]
Anwer's artwork was displayed in an exhibition titled “Cosmopolitanism and National Identities” at the University of Chicago from September 5, 2018, to December 14, 2018. [1]

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			"Juta" (shoe) written in Samrup Rachna calligraphy
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			"Buddha" written in Samrup Rachna calligraphy
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			"Fatwa" written in Samrup Rachna Calligraphy
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			"Surahi" in Samrup Rachna Calligraphy
References
[edit]- ^ a b "Cosmopolitanism and National Identities - The World of South Asian Scripts - The University of Chicago Library". www.lib.uchicago.edu. Retrieved 2023-04-22.
- ^ "Pak lawyer fuses Urdu, Hindi in calligraphy". Hindustan Times. 2016-02-01. Retrieved 2023-04-22.
- ^ "زبان قربتوں کا ذریعہ نا کہ دوریوں کا" [Language is a means of closeness, not of distance. Syed Muhammad Anwar Interview]. Urdu VOA.
- ^ Cheung, Yat-Shing (1992). "The form and meaning of digraphia: the case of Chinese". In K. Bolton and H. Kwok. Sociolinguistics Today: International Perspectives. London: Routledge.
- ^ a b "Syed Mohammad Anwar – Calligraphy Artist". Urdu VOA. 13 April 2012. Archived from the original on June 23, 2025 – via YouTube.
- ^ "A book of unique calligraphy | Pakistan Observer". Archived from the original on 2016-03-21. Retrieved 2016-03-18.
- ^ "Unique linguistic art book launched". financspree.com. Retrieved 2023-04-22.
- ^ "Mother languages literature fair begins amid festivity". Archived from the original on 2016-03-02. Retrieved 2016-02-23.
- ^ https://ir.library.osaka-u.ac.jp/repo/ouka/all/102324/
- ^ "Kuch Khaas: Calligraphic Expression of Apni-Boli by Dr. Syed Mohammed Anwer". YouTube.
- ^ "Dr.Syed Mohammed Anwer speaking on diversity of Languages at World Local Languages Day". YouTube. Archived from the original on September 2, 2022.
- ^ "SAMRUP RACHNA VOA, Art for Peace by Dr.Syed Muhammad Anwer". YouTube. Archived from the original on September 2, 2022. Retrieved September 2, 2022.
 
	




