Shuhari
Shuhari (Kanji: 守破離 Hiragana: しゅはり) is a Japanese martial art concept that describes the stages of learning to mastery. It is sometimes applied to other disciplines, such as Go.
History
[edit]
The Shuhari concept was first presented by Fuhaku Kawakami as Jo-ha-kyū in The Way of Tea, "Sado" (Japanese: 茶道). Fuhaku based his process from the works of Zeami Motokiyo, the master of Noh, which then became a part of the philosophy of Aikido.[1]
Shuhari can be considered as concentric circles, with Shu within Ha, and both Shu and Ha within Ri. The fundamental techniques and knowledge do not change.[2][3]
During the Shu phase the student should loyally follow the instruction of a single teacher; the student is not yet ready to explore and compare different paths.[4]
Definition
[edit]Shuhari roughly translates to "to keep, to fall, to break away" or "follow the rules, break the rules, transcend the rules". Aikido master Endō Seishirō shihan stated:
"It is known that, when we learn or train in something, we pass through the stages of shu, ha, and ri. These stages are explained as follows. In shu, we repeat the forms and discipline ourselves so that our bodies absorb the forms that our forebears created. We remain faithful to these forms with no deviation. Next, in the stage of ha, once we have disciplined ourselves to acquire the forms and movements, we make innovations. In this process the forms may be broken and discarded. Finally, in ri, we completely depart from the forms, open the door to creative technique, and arrive in a place where we act in accordance with what our heart/mind desires, unhindered while not overstepping laws."[5]
Shuhari can be decomposed in 3 kanjis:
| Kanji | English translation | Explanation | Reference |
|---|---|---|---|
| Shu (守) | "Protect", "obey" | Traditional wisdom - learning fundamentals, techniques, heuristics, proverbs. | [6] |
| Ha (破) | "Detach", "digress" | Breaking with tradition - detachment from the illusions of self, to break with tradition - to find exceptions to traditional wisdom, to find new approaches. In some styles of Japanese music (gagaku and noh), it is also the middle of the song. | |
| Ri (離) | "leave", "separate" | Transcendence—there are no techniques or proverbs, all moves are natural, becoming one with spirit alone without clinging to forms; transcending the physical - there is no traditional technique or wisdom, all movements are allowed. |
While the concept of Shuhari is very old, and most often identified with martial arts in general, it actually has its roots in early Japanese theater and poetry.
See also
[edit]References
[edit]- ^ On the Art of the No Drama: The Major Treatises of Zeami Motokiyo. Princeton University Press. 1984-02-21. ISBN 978-0691101545.
- ^ "The Meaning of Shuhari". Retrieved 1 June 2006.
- ^ Masayuki, Shimabukuro (2008-01-15). Flashing Steel - Mastering Eishin Ryu Swordsmanship (2nd ed.). Blue Snake Books. ISBN 978-1583941973.
- ^ McCarthy, Patrick, "The World within Karate & Kinjo Hiroshi" in Journal of Asian Martial Arts, V. 3 No. 2, 1994.
- ^ An Interview with Endô Seishirô Shihan Archived 2011-06-10 at the Wayback Machine Aiki News, Dou, No. 144 (2005). translated by Daniel Nishina and Akiya Hideo
- ^ "Shuhari — The Stages of Learning 守破離". Goju Karate. 2024-07-12. Retrieved 2024-07-14.