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The Clothing Portal

A garment factory in Bangladesh

Clothing (also known as clothes, garments, dress, apparel, or attire) is any item worn on a human body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural products found in the environment, put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social factors, and geographic considerations. Garments cover the body, footwear covers the feet, gloves cover the hands, while hats and headgear cover the head, and underwear covers the intimate parts.

Clothing has significant social factors as well. Wearing clothes is a variable social norm. It may connote modesty. Being deprived of clothing in front of others may be embarrassing. In many parts of the world, not wearing clothes in public so that genitals, breast, or buttocks are visible could be considered indecent exposure. Pubic area or genital coverage is the most frequently encountered minimum found cross-culturally and regardless of climate, implying social convention as the basis of customs. Clothing also may be used to communicate social status, wealth, group identity, and individualism. (Full article...)

Textile is an umbrella term that includes various fibre-based materials, including fibres, yarns, filaments, threads, and different types of fabric. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns. (Full article...)

Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. (Full article...)

Selected articles - load new batch

  • Image 1 A hemp field in Côtes-d'Armor, Brittany, France, which is Europe's largest hemp producer as of 2022 Hemp, or industrial hemp, is a plant in the botanical class of Cannabis sativa cultivars grown specifically for industrial and consumable use. It can be used to make a wide range of products. Along with bamboo, hemp is among the fastest growing plants on Earth. It was also one of the first plants to be spun into usable fiber 50,000 years ago. It can be refined into a variety of commercial items, including paper, rope, textiles, clothing, biodegradable plastics, paint, insulation, biofuel, food, and animal feed. Although chemotype I cannabis and hemp (types II, III, IV, V) are both Cannabis sativa and contain the psychoactive component tetrahydrocannabinol (THC), they represent distinct cultivar groups, typically with unique phytochemical compositions and uses. Hemp typically has lower concentrations of total THC and may have higher concentrations of cannabidiol (CBD), which potentially mitigates the psychoactive effects of THC. The legality of hemp varies widely among countries. Some governments regulate the concentration of THC and permit only hemp that is bred with an especially low THC content into commercial production. (Full article...)
    A hemp field in Côtes-d'Armor, Brittany, France, which is Europe's largest hemp producer as of 2022

    Hemp, or industrial hemp, is a plant in the botanical class of Cannabis sativa cultivars grown specifically for industrial and consumable use. It can be used to make a wide range of products. Along with bamboo, hemp is among the fastest growing plants on Earth. It was also one of the first plants to be spun into usable fiber 50,000 years ago. It can be refined into a variety of commercial items, including paper, rope, textiles, clothing, biodegradable plastics, paint, insulation, biofuel, food, and animal feed.

    Although chemotype I cannabis and hemp (types II, III, IV, V) are both Cannabis sativa and contain the psychoactive component tetrahydrocannabinol (THC), they represent distinct cultivar groups, typically with unique phytochemical compositions and uses. Hemp typically has lower concentrations of total THC and may have higher concentrations of cannabidiol (CBD), which potentially mitigates the psychoactive effects of THC. The legality of hemp varies widely among countries. Some governments regulate the concentration of THC and permit only hemp that is bred with an especially low THC content into commercial production. (Full article...)
  • Image 2 "Summer", detail from a tapestry called The Seasons or Orchard, woven by Morris & Co. in wool, silk, and mohair on a cotton ground at Merton Abbey in 1890, designed by William Morris and John Henry Dearle. John Henry Dearle (22 August 1859 – 15 January 1932) was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898. Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue to be sold as Morris patterns. Critical assessment of Dearle's work then underwent a significant change during the final decades of the twentieth century, recognizing Dearle's mature work as having a unique artistic vision of its own. Dearle always remained close to Morris's aesthetic, but from the 1890s onward he incorporated a distinctive set of Persian and Turkish influences. (Full article...)
    "Summer", detail from a tapestry called The Seasons or Orchard, woven by Morris & Co. in wool, silk, and mohair on a cotton ground at Merton Abbey in 1890, designed by William Morris and John Henry Dearle.

    John Henry Dearle (22 August 1859 – 15 January 1932) was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898.

    Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue to be sold as Morris patterns. Critical assessment of Dearle's work then underwent a significant change during the final decades of the twentieth century, recognizing Dearle's mature work as having a unique artistic vision of its own. Dearle always remained close to Morris's aesthetic, but from the 1890s onward he incorporated a distinctive set of Persian and Turkish influences. (Full article...)
  • Image 3 Person knitting Knitting is the process of interlooping yarn to create textile fabric made of interconnected loops, done by hand, machine or both. Knitting creates stitches: loops of yarn in a row; the loops are created with a pair of knitting needles, which can either be straight and cylindrical or in the round with (often times plastic) tubes joining the ends of both. There are usually many active stitches on the needle at one time. Knitted fabric consists of a number of consecutive rows of connected loops that intermesh with the next and previous rows. As each row is formed, each newly created loop is pulled through one or more loops from the prior row and placed on the 'gaining needle' (the needle that is receiving newly created stitches) so that the loops from the prior row can be pulled off the other needle without unraveling. (Full article...)
    Person knitting

    Knitting is the process of interlooping yarn to create textile fabric made of interconnected loops, done by hand, machine or both.

    Knitting creates stitches: loops of yarn in a row; the loops are created with a pair of knitting needles, which can either be straight and cylindrical or in the round with (often times plastic) tubes joining the ends of both. There are usually many active stitches on the needle at one time. Knitted fabric consists of a number of consecutive rows of connected loops that intermesh with the next and previous rows. As each row is formed, each newly created loop is pulled through one or more loops from the prior row and placed on the 'gaining needle' (the needle that is receiving newly created stitches) so that the loops from the prior row can be pulled off the other needle without unraveling. (Full article...)
  • Image 4 Roller-printed cotton cushion cover panel, 1904, Silver Studio V&A Museum no. CIRC.675–1966 Roller printing, also called cylinder printing or machine printing, on fabrics is a textile printing process patented by Thomas Bell of Scotland in 1783 in an attempt to reduce the cost of the earlier copperplate printing. This method was used in Lancashire fabric mills to produce cotton dress fabrics from the 1790s, most often reproducing small monochrome patterns characterized by striped motifs and tiny dotted patterns called "machine grounds". Improvements in the technology resulted in more elaborate roller prints in bright, rich colours from the 1820s; Turkey red and chrome yellow were particularly popular. (Full article...)
    Roller-printed cotton cushion cover panel, 1904, Silver Studio V&A Museum no. CIRC.675–1966

    Roller printing, also called cylinder printing or machine printing, on fabrics is a textile printing process patented by Thomas Bell of Scotland in 1783 in an attempt to reduce the cost of the earlier copperplate printing. This method was used in Lancashire fabric mills to produce cotton dress fabrics from the 1790s, most often reproducing small monochrome patterns characterized by striped motifs and tiny dotted patterns called "machine grounds".

    Improvements in the technology resulted in more elaborate roller prints in bright, rich colours from the 1820s; Turkey red and chrome yellow were particularly popular. (Full article...)
  • Image 5 Cloak, 1580–1600 V&A Museum no. 793–1901 Techniques – Red satin, couched and embroidered with silver, silver-gilt and coloured silk threads, trimmed with silver-gilt and silk thread fringe and tassel, and lined with pink linen Aesthetics in textiles is one of the basic concepts of the serviceability of textiles. It is determined by the perception of touch and sight. Aesthetics imply the appearance and attraction of textile products; it includes the color and texture of the material. It is a statement about the end user (consumer) and the target market. When combined with fabric construction, the finish of the clothing material, garment fit, style, and fashion compatibility, colours create an aesthetic comfort. All of these elements work together to satisfy our visual perception. Aesthetics incorporates the role of evaluation (analysing and judging) also. There are various arts and applications that imparts aesthetic properties in textiles. Additionally, the use of LEDs and optical fibres enables the creation of aesthetic properties such as illuminated textiles. (Full article...)
    Cloak, 1580–1600 V&A Museum no. 793–1901 Techniques – Red satin, couched and embroidered with silver, silver-gilt and coloured silk threads, trimmed with silver-gilt and silk thread fringe and tassel, and lined with pink linen

    Aesthetics in textiles is one of the basic concepts of the serviceability of textiles. It is determined by the perception of touch and sight. Aesthetics imply the appearance and attraction of textile products; it includes the color and texture of the material. It is a statement about the end user (consumer) and the target market. When combined with fabric construction, the finish of the clothing material, garment fit, style, and fashion compatibility, colours create an aesthetic comfort. All of these elements work together to satisfy our visual perception. Aesthetics incorporates the role of evaluation (analysing and judging) also.

    There are various arts and applications that imparts aesthetic properties in textiles. Additionally, the use of LEDs and optical fibres enables the creation of aesthetic properties such as illuminated textiles. (Full article...)
  • Image 6 Fabrics dyed in the current era from different species of sea snail. The colours in this photograph may not represent them precisely. Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, imperial dye, or simply tyrian, is a reddish-purple natural dye. The name Tyrian refers to Tyre, Lebanon, once Phoenicia. It is secreted by several species of predatory sea snails in the family Muricidae, rock snails originally known by the name Murex (Bolinus brandaris, Hexaplex trunculus and Stramonita haemastoma). In ancient times, extracting this dye involved tens of thousands of snails and substantial labour, and as a result, the dye was highly valued. The coloured compound is 6,6'-dibromoindigo. (Full article...)
    Fabrics dyed in the current era from different species of sea snail. The colours in this photograph may not represent them precisely.

    Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, imperial dye, or simply tyrian, is a reddish-purple natural dye. The name Tyrian refers to Tyre, Lebanon, once Phoenicia. It is secreted by several species of predatory sea snails in the family Muricidae, rock snails originally known by the name Murex (Bolinus brandaris, Hexaplex trunculus and Stramonita haemastoma). In ancient times, extracting this dye involved tens of thousands of snails and substantial labour, and as a result, the dye was highly valued. The coloured compound is 6,6'-dibromoindigo. (Full article...)
  • Image 7 The Silk Road was a network of Asian trade routes active from the second century BCE until the mid-15th century. Spanning over 6,400 km (4,000 mi) on land, it played a central role in facilitating economic, cultural, political, and religious interactions between the Eastern and Western worlds. The name "Silk Road" was coined in the late 19th century, but some 20th- and 21st-century historians instead prefer the term Silk Routes, on the grounds that it more accurately describes the intricate web of land and sea routes connecting Central, East, South, Southeast, and West Asia as well as East Africa and Southern Europe. In fact, some scholars criticise or even dismiss the idea of silk roads and call for a new definition or alternate term. According to them, the literature using this term has "privileged the sedentary and literate empires at either end of Eurasia" thereby ignoring the contributions of steppe nomads. In addition, the classic definition sidelines civilisations like India and Iran. The Silk Road derives its name from the highly lucrative trade of silk textiles that were primarily produced in China. The network began with the expansion of the Han dynasty (202 BCE – 220 CE) into Central Asia around 114 BCE, through the missions and explorations of the Chinese imperial envoy Zhang Qian, which brought the region under unified control. The Chinese took great interest in the security of their trade products, and extended the Great Wall of China to ensure the protection of the trade route. The Parthian Empire provided a vital bridge connecting the network to the Mediterranean. Meanwhile, the rise of the Roman Empire in the west further established the western terminus of the interconnected trade system. By the first century CE, Chinese silk was widely sought after in Rome, Egypt, and Greece. Other lucrative commodities from the East included tea, dyes, perfumes, and porcelain; among Western exports were horses, camels, honey, wine, and gold. Aside from generating substantial wealth for emerging mercantile classes, the proliferation of goods such as paper and gunpowder greatly affected the trajectory of political history in several theatres in Eurasia and beyond. (Full article...)

    The Silk Road was a network of Asian trade routes active from the second century BCE until the mid-15th century. Spanning over 6,400 km (4,000 mi) on land, it played a central role in facilitating economic, cultural, political, and religious interactions between the Eastern and Western worlds. The name "Silk Road" was coined in the late 19th century, but some 20th- and 21st-century historians instead prefer the term Silk Routes, on the grounds that it more accurately describes the intricate web of land and sea routes connecting Central, East, South, Southeast, and West Asia as well as East Africa and Southern Europe. In fact, some scholars criticise or even dismiss the idea of silk roads and call for a new definition or alternate term. According to them, the literature using this term has "privileged the sedentary and literate empires at either end of Eurasia" thereby ignoring the contributions of steppe nomads. In addition, the classic definition sidelines civilisations like India and Iran.

    The Silk Road derives its name from the highly lucrative trade of silk textiles that were primarily produced in China. The network began with the expansion of the Han dynasty (202 BCE – 220 CE) into Central Asia around 114 BCE, through the missions and explorations of the Chinese imperial envoy Zhang Qian, which brought the region under unified control. The Chinese took great interest in the security of their trade products, and extended the Great Wall of China to ensure the protection of the trade route. The Parthian Empire provided a vital bridge connecting the network to the Mediterranean. Meanwhile, the rise of the Roman Empire in the west further established the western terminus of the interconnected trade system. By the first century CE, Chinese silk was widely sought after in Rome, Egypt, and Greece. Other lucrative commodities from the East included tea, dyes, perfumes, and porcelain; among Western exports were horses, camels, honey, wine, and gold. Aside from generating substantial wealth for emerging mercantile classes, the proliferation of goods such as paper and gunpowder greatly affected the trajectory of political history in several theatres in Eurasia and beyond. (Full article...)
  • Image 8 Indigo dye is an organic compound with a distinctive blue color. Indigo is a natural dye obtained from the leaves of some plants of the Indigofera genus, in particular Indigofera tinctoria. Dye-bearing Indigofera plants were once common throughout the world. It is now produced via chemical routes from aniline. Blue colorants are rare. Since indigo is insoluble, it is also referred to as a pigment (C.I. Pigment Blue 66, C.I.). Most indigo dye produced today is synthetic, constituting around 80,000 tonnes each year, as of 2023. It is most commonly associated with the production of denim cloth and blue jeans, where its properties allow for effects such as stone washing and acid washing to be applied quickly. (Full article...)

    Indigo dye is an organic compound with a distinctive blue color. Indigo is a natural dye obtained from the leaves of some plants of the Indigofera genus, in particular Indigofera tinctoria. Dye-bearing Indigofera plants were once common throughout the world. It is now produced via chemical routes from aniline. Blue colorants are rare. Since indigo is insoluble, it is also referred to as a pigment (C.I. Pigment Blue 66, C.I.).

    Most indigo dye produced today is synthetic, constituting around 80,000 tonnes each year, as of 2023. It is most commonly associated with the production of denim cloth and blue jeans, where its properties allow for effects such as stone washing and acid washing to be applied quickly. (Full article...)
  • Image 9 Illustration by Vilhelm Pedersen, Andersen's first illustrator "The Emperor's New Clothes" (Danish: Kejserens nye klæder [ˈkʰɑjsɐns ˈnyˀə ˈkʰlɛːðə]) is a literary folktale written by the Danish author Hans Christian Andersen, about a vain emperor who gets exposed before his subjects. The tale has been translated into over 100 languages. "The Emperor's New Clothes" was first published with "The Little Mermaid" in Copenhagen, Denmark, by C. A. Reitzel, on 7 April 1837, as the third and final installment of Andersen's Fairy Tales Told for Children. The tale has been adapted to various media, and the story's title, the phrase "the Emperor has no clothes", and variations thereof have been adopted for use in numerous other works and as idioms. (Full article...)

    Illustration by Vilhelm Pedersen, Andersen's first illustrator

    "The Emperor's New Clothes" (Danish: Kejserens nye klæder [ˈkʰɑjsɐns ˈnyˀə ˈkʰlɛːðə]) is a literary folktale written by the Danish author Hans Christian Andersen, about a vain emperor who gets exposed before his subjects. The tale has been translated into over 100 languages.

    "The Emperor's New Clothes" was first published with "The Little Mermaid" in Copenhagen, Denmark, by C. A. Reitzel, on 7 April 1837, as the third and final installment of Andersen's Fairy Tales Told for Children. The tale has been adapted to various media, and the story's title, the phrase "the Emperor has no clothes", and variations thereof have been adopted for use in numerous other works and as idioms. (Full article...)
  • Image 10 1950s huipil Huipil [ˈwipil] (Nahuatl: huīpīlli [wiːˈpiːlːi]; Ch'orti': b’ujk; Chuj: nip) is the most common traditional garment worn by indigenous women from central Mexico to Central America. It is a loose-fitting tunic, generally made from two or three rectangular pieces of fabric, which are then joined with stitching, ribbons, or fabric strips, with an opening for the head and, if the sides are sewn, openings for the arms. Traditional huipils, especially ceremonial ones, are usually made with fabric woven on a backstrap loom and are decorated with designs woven into the fabric, embroidery, ribbons, lace, and more. However, some huipils are also made from commercial fabric. (Full article...)
    1950s huipil


    Huipil [ˈwipil] (Nahuatl: huīpīlli [wiːˈpiːlːi]; Ch'orti': b’ujk; Chuj: nip) is the most common traditional garment worn by indigenous women from central Mexico to Central America.

    It is a loose-fitting tunic, generally made from two or three rectangular pieces of fabric, which are then joined with stitching, ribbons, or fabric strips, with an opening for the head and, if the sides are sewn, openings for the arms. Traditional huipils, especially ceremonial ones, are usually made with fabric woven on a backstrap loom and are decorated with designs woven into the fabric, embroidery, ribbons, lace, and more. However, some huipils are also made from commercial fabric. (Full article...)
  • Image 11 An Aran cardigan in the traditional white báinín colour. The Aran jumper (Irish: Geansaí Árann), also called a fisherman's jumper or a gansey, is a style of jumper that takes its name from the Aran Islands off the west coast of Ireland. A traditional Aran Jumper usually is off-white in colour, with cable patterns on the body and sleeves. Originally the jumpers were knitted using unscoured wool that retained its natural oils (lanolin) which made the garments water-resistant and meant they remained wearable even when wet. Use of the word jumper (or other options such as "pullover" and "jersey") is largely determined by the regional version of English used. In the case of Ireland, Britain and Australia, "jumper" is the standard word, "jersey" is used in South Africa and New Zealand, whereas "sweater" is mainly found in tourist shops and in North America. The word used in Irish is geansaí. (Full article...)
    An Aran cardigan in the traditional white báinín colour.


    The Aran jumper (Irish: Geansaí Árann), also called a fisherman's jumper or a gansey, is a style of jumper that takes its name from the Aran Islands off the west coast of Ireland. A traditional Aran Jumper usually is off-white in colour, with cable patterns on the body and sleeves. Originally the jumpers were knitted using unscoured wool that retained its natural oils (lanolin) which made the garments water-resistant and meant they remained wearable even when wet.

    Use of the word jumper (or other options such as "pullover" and "jersey") is largely determined by the regional version of English used. In the case of Ireland, Britain and Australia, "jumper" is the standard word, "jersey" is used in South Africa and New Zealand, whereas "sweater" is mainly found in tourist shops and in North America. The word used in Irish is geansaí. (Full article...)
  • Image 12 Catholic clergymen wearing pleated rochets A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to narrow a wide piece of fabric through gathering. Pleats are categorized as pressed, that is, ironed or otherwise heat-set into a sharp crease, or unpressed, falling in soft rounded folds. Pleats sewn into place are called tucks. (Full article...)
    Catholic clergymen wearing pleated rochets


    A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to narrow a wide piece of fabric through gathering.

    Pleats are categorized as pressed, that is, ironed or otherwise heat-set into a sharp crease, or unpressed, falling in soft rounded folds. Pleats sewn into place are called tucks. (Full article...)
  • Image 13 The Leader of the Luddites, 1812. Hand-coloured etching The Luddites were members of a 19th-century movement of English textile workers who opposed the use of certain types of automated machinery due to concerns relating to worker pay and output quality. They often destroyed the machines in organised raids. Members of the group referred to themselves as Luddites, self-described followers of "Ned Ludd", a legendary weaver whose name was used as a pseudonym in threatening letters to mill owners and government officials. The Luddite movement began in Nottingham, England, and spread to the North West and Yorkshire between 1811 and 1816. Mill and factory owners took to shooting protesters and eventually the movement was suppressed by legal and military force, which included execution and penal transportation of accused and convicted Luddites. (Full article...)
    The Leader of the Luddites, 1812. Hand-coloured etching

    The Luddites were members of a 19th-century movement of English textile workers who opposed the use of certain types of automated machinery due to concerns relating to worker pay and output quality. They often destroyed the machines in organised raids. Members of the group referred to themselves as Luddites, self-described followers of "Ned Ludd", a legendary weaver whose name was used as a pseudonym in threatening letters to mill owners and government officials.

    The Luddite movement began in Nottingham, England, and spread to the North West and Yorkshire between 1811 and 1816. Mill and factory owners took to shooting protesters and eventually the movement was suppressed by legal and military force, which included execution and penal transportation of accused and convicted Luddites. (Full article...)
  • Image 14 Warp and weft in plain weaving Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms. The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design. (Full article...)
    Warp and weft in plain weaving

    Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.
    Cloth is usually woven on a loom, a device that holds warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

    The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design. (Full article...)
  • Image 15 A modern industrial knitting machine in action A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion. There are numerous types of knitting machines, ranging from simple spool or board templates with no moving parts to highly complex mechanisms controlled by electronics. All, however, produce various types of knitted fabrics, usually either flat or tubular, and of varying degrees of complexity. Pattern stitches can be selected by hand manipulation of the needles, push-buttons and dials, mechanical punch cards, or electronic pattern reading devices and computers. (Full article...)
    A modern industrial knitting machine in action

    A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion. There are numerous types of knitting machines, ranging from simple spool or board templates with no moving parts to highly complex mechanisms controlled by electronics. All, however, produce various types of knitted fabrics, usually either flat or tubular, and of varying degrees of complexity. Pattern stitches can be selected by hand manipulation of the needles, push-buttons and dials, mechanical punch cards, or electronic pattern reading devices and computers. (Full article...)
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Did you know (auto generated)

  • ... that Swertia japonica was used as an insecticide for clothes during the Edo period?
  • ... that during the Second World War, the British government's campaign Make-Do and Mend encouraged the public to fashion men's clothes into womenswear?
  • ... that Oduwa's reign saw cowries becoming so widespread as currency that nobles stitched them into their clothes, causing runaway inflation?
  • ... that the earliest of the authentic portraits of Mozart shows the prodigy wearing the clothes of Archduke Maximilian Francis of Austria, given as a gift by Empress Maria Theresa?
  • ... that Sandra Ng wore her own clothes while filming Love Lies to help the production crew save on the budget?
  • ... that after being criticized for dressing "like a doll" at an important meeting, pioneering Russian feminist Anna Filosofova replied that "clothes do not make the woman"?

More Did you know

Inserted eye wire heddles

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Yarn drying after being dyed in early American tradition
Yarn drying after being dyed in early American tradition
Credit: Derek Jensen

Yarn is a long continuous length of interlocked fibers, suitable for use in the production of textiles, sewing, crocheting, knitting, weaving, embroidery and ropemaking. Thread is a type of yarn intended for sewing by hand or machine.

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The following are images from various clothing-related articles on Wikipedia.

Selected quote

Madame De La Fayette
The King's colours were white and black, which he always wore in honour of the Duchess of Valentinois, who was a widow. The Duke of Ferrara and his retinue had yellow and red. Monsieur de Guise's carnation and white. It was not known at first for what reason he wore those colours, but it was soon remembered that they were the colours of a beautiful young lady whom he had been in love with, while she was a maid, and whom he yet loved though he durst not show it. The Duke de Nemours had yellow and black; why he had them could not be found out: Madam de Cleves only knew the reason of it; she remembered to have said before him she loved yellow, and that she was sorry her complexion did not suit that colour. As for the Duke, he thought he might take that colour without any indiscretion, since not being worn by Madam de Cleves it could not be suspected to be hers.

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Wikipedia:WikiProject Arts

WikiProjects
Main project

Textile Arts WikiProject

Participants
Related projects

WikiProject Fashion  • WikiProject Knots  • WikiProject Sculpture  • WikiProject Visual arts

What are WikiProjects?

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Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

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